*This carpet is hand-knotted. Differences in shape, thickness, pattern and sizes can occur.
|Name||Qum Trellis - Arts & Crafts by William Morris|
|Size in feet ||12'3" x 9'|
|Size in meters||3.70 x 2.73|
|Pile (Fiber & Yarns Used)||80% Silk, 20% Wool, All Natural Vegetable Dyes|
|Type of fabrication||Hand-knotted with Persian knots (Senneh)|
|Country Made In||Pakistan (South Asia)|
|Design Origin||Persian & European (English) Fusion|
|Condition||Excellent (Brand New)|
|Available In Other Sizes||Yes, upon special request|
**Each carpet is of the highest quality in its category & is carefully handpicked overseas by a member of the Bashir family. A Brief History of Qum Carpets
Qum rugs, also known as Ghoum, Gom, Qom, Qoum, Kum or Koum, are woven in workshops of Qom, a city located in northwest central Iran. Since rug production did not begin in Qom until the 1930s, Qom doesn't have any traditional designs of its own. Qom weavers prefer to weave the most favorable designs of other Persian weaving groups and sometimes Caucasian weaving groups and adjusting these designs to their own taste. It is possible for Qom rugs to be mistaken with Kashan or Esfahan rugs. However, they will not be mistaken with Tabriz rugs because Qum, Kashan and Esfahan rugs are woven with the asymmetric (Persian) knot and Tabriz rugs are woven with the symmetric (Turkish) knot. All silk, part silk/part wool, and kork (fine wool taken from the belly of sheep) Qom rugs are very well-known in Iran and abroad. The foundation of Qum rugs could be either cotton or silk. Most Qum rugs have curvilinear patterns, and very elaborate floral motifs with intricate leaves and vines. As mentioned above the designs are varied, taken from different weaving groups. Some designs used in Qum rugs consist of vase, moharramaat, mir-i-boteh, zell-i sultan, panelled garden, hunting, tree-of-life, pictorial, Shah Abbassi melallion-and-corner with usually a circular medallion, all-over Shah Abbasi, medallion with open field, medallions resembling the famous Esfahan Sheikh Lotfollah medallion, prayer and all-over gul farangi (roses). The gul farangi motif seems to be a popular motif also used in vase, tree-of-life, and zell-i sultan designs. A panelled design containing very different motifs in each compartment is also common; the motifs inside the compartments can consist of pictorials, vases, hunting scenes, and botehs all in one rug. The colors used in Qum rugs are as diverse as the designs. The overall appearance could either be pale with background and border colors such as ivory, champagne, turquoise and light green, or it could be dark with background colors such as dark blue and even sometimes red. Red, blue and green are also used as motif colors. Other commonly used colors in Qum rugs are mushroom, rose, gold, yellow ocher and orange orcher.A Brief History of Arts & Crafts by William Morris
William Morris was one of the most influential voices in Victorian art and architecture, and his influence spread far into the 20th century in the form of the Arts and Crafts Movement that he helped spawn. In 1859 Morris was annoyed that he could find no good textiles and furniture to decorate his new home, so he decided to design them himself. It was a momentous decision. With friends Burne-Jones, Rosetti, and Webb he formed a small firm, later called Morris and Company, to sell the products they designed. There was a profound social philosophy behind Morris' designing. He was a committed socialist and medievalist who was horrified by increasing mechanization and mass-production in the arts, and he dreamed of reestablishing the values of traditional craftsmanship and simplicity of design. His slogan was that art should be "by the people, for the people". Under Morris' leadership the company made a name for itself as a high quality producer of such diverse items as stained glass, wallpaper, textiles, and furniture, often with a floral or foliage motif.